Emerging Composers is a fantastic professional development opportunity offering paid commissions for emerging composers creating exciting repertoire from new perspectives for Pipe Band. 

Now in our fourth year of the programme, Emerging Composers offers the opportunity  to write for Scotland's only concert Pipe Band. We are calling for emerging composers aged 18-25  (or up to 30 if you identify as disabled) from both inside and out of the Piping community to create new work for the NYPBS.

We particularly welcome applications from people of colour, disabled people, women and the LGBTQ+ community. 

Each composer will receive a bursary of £2,000 and support from NYPBS staff and industry topping mentors.

More information:

The five applicants will collaborate throughout the project, supporting each other as writers alongside mentors and staff. 

Each recipient would be expected to: 

  • attend and participate actively in four Creative Weekends;

  • participate in disability awareness training;

  • undergo a PVG check;

  • deliver a short informal presentation on writing for their instrument / their musical experience to the group;

  • agree on a bespoke training plan covering the full duration with the project lead;

  • keep some sort of reflective diary and provide updates to assist in the promotion of the project and their own work; 

  • work through at least two drafts to completion of a piece for an NYPBS ensemble between 3-5mins; 

  • participate in the workshopping, recording and performance of the new works;

  • lead two large scale rehearsals of their piece with one of the NYPBS National Bands; 

  • participate in an evaluation session at the end of the project.

The project will run from July 2024- April 2025 with activity split between two phases. 

  • Training and support will be structured across four training weekend events, delivered from June-July 2023, where our five successful applicants will work together alongside mentors towards their first drafts.

    Each composer will also be expected to play as part of workshopping each other's pieces.

    Each composer will be expected to attend all four weekends which are scheduled as follows:

    • EC First Creative Weekend 20th-21st July

    • EC 2nd Creative Weekend 10th-11th August

    • EC 3rd Creative Weekend 7th-8th September

    • EC 4th Creative Weekend 28th-29th September

    Each composer must complete a full first draft of their piece by the end of this phase.

  • From October to December 2024, each emerging composer will be given a chance to gain experience in leading large-scale rehearsals of their work, supported by the NYPBS' Director. Each composer is expected to attend two rehearsal days and to complete a final draft of their piece which one of our National Bands will perform at our end-of-year concert on April 2025.

  • Throughout the project we’ll ask each composer to maintain some sort of reflective diary capturing their experience. We’ll meet for a final monitoring session as a group in April 2025.

Here’s what one of our previous participants talking about their experience of the project:

Emerging Composers 2024

  • Bronwen Davies

    Raised in Oban, Bronwen Davies is a Welsh/Scottish multi-instrumentalist, teacher and composer based in Glasgow. She completed her undergraduate studies at the University of the Highlands and Islands, earning a Bachelor of Arts degree with Honours in Applied Music. Bronwen is a member of the up-and-coming traditional band ‘Rhuvaal’ who released their debut EP in 2020. She has toured all over the country and further a field to Europe playing at music festivals and events. As well as Rhuvaal, Bronwen musical upbringing had a heavy influence from the Argyll music scene and the Argyll Ceilidh trail where she went from being a participant in 2018/19 to being the ceilidh trail co-ordinator in 2023.

    She isnow building her solo and collaborative career through her brand ‘Bronwen Davies music’. Bronwen is also a member of the Islay pipe band where she has been lead tenor drummer for multiple years. She has spent the past 3 years composing bass and tenor scores for the grade 2 band. Bronwen has also spent her years teaching fiddle and tenor drum at Fèis Latharna easter school and Saturday classes and school pipe bands such as Sgoil Lionacleit pipe band. In 2023/24 Bronwen expanded her teaching through being the bass and tenor trainee tutor for the National Youth Pipe Band of Scotland.

  • Calum Kerr

    Calum is a recent graduate of the Royal Conservatoire of Scotland, where he studied a Bachelor’s in Music specialising in classical trumpet. Originally from Ayrshire, he is now building a diverse career as a UK-based freelance trumpet player and a passionate teacher of brass, dedicated to working with young people. Calum's recent achievements include participating in various recording sessions and successfully auditioning to become a trumpet mentee on the 2023/24 Orchestral Mentorship Scheme at the Royal Opera House in London and also performing as a trumpet soloist on Easter Sunday for BBC Scotland.

    In addition to his performing and teaching career, Calum is thrilled to be part of the emerging composers scheme, where he can explore his interests in composition. In his spare time, Calum enjoys spending time with friends and going to gigs from some of his favourite traditional scottish bands. He comments “As I embark on this project with the amazing team at NYPBS, I look forward to creating something innovative and captivating in collaboration with the young talented musicians!”

  • Rhionna Inwood

    Rhionna Inwood is a skilled Scottish pianist, accompanist, educator, and composer. Recently graduating from the Royal Conservatoire of Scotland with a Bachelor of Arts with Honours in classical piano and second study vocal, she continues her education at RCS part time to refine her accompaniment skills. Rhionna is establishing a successful freelance career, performing with local choirs, live music concerts, and creating community music programs such as ‘Support the AMS: Ugandan Initiative’ in collaboration with Isabella Gonzalez Diaz.

    With a strong foundation in classical music, Rhionna is passionate about chamber music and accompanying vocalists in various musical styles. She attended the Oxenfoord Summer School in 2023 and will return in 2024 to perform for specialists like Malcolm Martineau and accompany live concerts, including a song cycle concert.

    Rhionna has significant experience in community music settings. As a Benedetti Ambassador, she enjoys workshop assisting and tutoring, while maintaining an active social media presence to support her career. Recent highlights include accompanying choral and solo works for the Kickstart Opera Series Coffee Cadenza Concerts at the Burrell Collection, the RCS International Women's Day Concert 2024, and weekly performances with local choirs in Kilsyth and the Partickhill Community Centre Choir.

    Inspired by film music, classical piano, and Scottish folk music, Rhionna composes and arranges music for school-age groups and piano solos. As an emerging composer with the National Youth Pipe Band of Scotland, she aims to establish herself in the commissioning field and contribute to the traditional music scene.

  • Joe Stollery

    Joe Stollery is a composer originally from central Aberdeenshire. He graduated from the University of Aberdeen with BMus (Hons) (2015), MMus in Composition (2016) and PhD in Composition (2024). He has written for a wide variety of ensembles, mostly instrumental, but also including art songs and a handful of chamber operas. His musical interests and appreciations cover a wide range (including non-classical), and as such his compositional aesthetic stands somewhere between common-practice and the avant-garde. He is also keen on putting dramatic statements into his music and is inclined towards a theatrical element in many of his instrumental works.

    He was twice a finalist in the Carlaw-Ogston Composition Award (2015 & 2016), has participated as an observer at the Cheltenham Festival (2016), and has been commissioned by the Aberdeenshire Youth Orchestra, the Geneva-based wind band Harmonie Nautique, Orchestra of St John’s, Aberdeenshire Saxophone Orchestra, Cappella Nova, Any Enemy and Hebrides Ensemble, amongst others. He was also commissioned by the sound festival and the Silver Cities Stories project for his opera Mither Kirk (2017) and has collaborated with Scottish Opera to produce Nature’s House (2014), as part of a Leverhulme scholarship. He also composed a set of three children’s operas that were performed in primary schools around Aberdeen in February 2019. He recently collaborated with violist Katherine Wren and composer Pete Stollery on Nordic VIola’s A Wing and a Prayer - Deeside and completed a commission for left-hand alone pianist Nicholas McCarthy.

    As well as composing, Joe also plays alto saxophone in the Concert Band and Saxophone Ensemble at Aberdeen University, and is a confident pianist. His personal interests lie in a wide variety of sources, many of which stream into his music. These include the local environment and its history, nature (particularly animals), myths and legends, especially mythical creatures, and the supernatural. He is particularly interested in fantastical concepts and would often speculate on these things in his music, usually by finding and making connections with real-world affairs.

  • Kenneth Macfarlane

    Kenneth is an award winning piper and whistle player from Bearsden, Glasgow. Graduating from The Royal Conservatoire or Scotland’s Traditional Music degree in 2021, he now works as a musician in the Glasgow area, as a teacher and performer. Kenneth originally took lessons at the National Piping Centre aged 6 under a host of elite pipers, most recently from Glenfiddich winner Willie MacCallum & NPC Director Finlay MacDonald, and also spent time in the pipe band scene, winning the World Championship in Grade 2 with The Glasgow Skye Association. He spent 7 years as a member of the NYPBS, leaving as Pipe Major of the Development Band, and returning as a Trainee Tutor in 2022.

    During his time at the RCS, he deepens his love for the wider traditional music genre and spent time studying the low whistle under Ross Ainslie, Marc Duff and Hamish Napier. From this, Kenneth began composing more music, and has seen some of his own compositions recorded and broadcasted on TV & Radio for BBC Scotland.

    Kenneth now plays with ‘Heron Valley’, with whom he regularly tours North America & Europe, ‘Beatha’ who won the Danny Kyle Award at Celtic Connections 2024, and also makes frequent guest appearances with bands such as Càrnan. He also reached the Semi-Finals of the BBC Radio Scotland Young Traditional Musician of the Year Award in 2022.

Emerging Composers 2023

  • Laurie Moore

    Laurie Moore is a bassist from Glasgow, Scotland. A recent graduate of the jazz course at the Royal Conservatoire of Scotland, Laurie started his musical journey being inspired to play by the rich musical tradition in his family. Laurie is a familiar face on the Glasgow jazz scene and wider Scottish jazz scene in general, having performed at the Edinburgh, Glasgow and Aberdeen jazz festivals to name but a few. Laurie also has a strong interest in composition and arranging and hopes to soon work toward releasing his first album featuring his own music.

    “My main intention behind Exodus was to create a fusion between the styles of Traditional Scottish/Piping Music and Modern Jazz for the context of a Concert Pipe Band. I focused strongly on harmonic and some rhythmic aspects of Jazz and Latin music, while much of the melodic content, and again, some rhythmic aspects were from traditional music.”

  • Finn Mclean

    Finn McLean is a composer and guitarist based in Glasgow, Scotland. As a composer, they have written music for Psappha Ensemble, Red Note Ensemble, the British Music Collection, the International Percussion Institute and more. As a guitarist, they have premiered works by various Scottish composers and created new arrangements of music by Orlando Gibbons. Finn studied composition with David Fennessy and classical guitar with Matthew McAllister and recently graduated from their undergraduate studies at the Royal Conservatoire of Scotland.

    “My initial point of inspiration for Meadow came from archival recordings from Tobar an Dualchais (Kist o Riches), which I have included in the piece in the beginning and ending. The first sample is an unnamed canntaireachd singer singing ‘The 79th's Farewell to Gibraltar’, recorded by Mary Morrison and Dr John Lorne Campbell. The second comprises of an interview of piper William MacLean talking about his ancestors and his family's history of piping.

    Both archival recordings have this theme of migration, particularly the feeling of leaving a place or a history, and this made me recall my own background and the pieces of me. I've left - particularly my relationship to Gaelic in childhood, having gone to a Gaelic Medium Education school and I wanted to write a musical response to these feelings.”

  • Isabella González Díaz

    Isabella is a French horn player, educator, composer, and conductor from Venezuela, based in Glasgow. A recent graduate with a BMus in French horn performance from the Royal Conservatoire of Scotland. Isabella's musical journey began in Venezuela singing in choirs until her move to the U.S. at the age of 14, where she started playing the horn. In 2020, driven by her devotion to music, she relocated to Scotland to further develop her studies.

    During her time in Scotland, Isabella has collaborated with numerous orchestras across the U.K., including notable performances alongside the Royal Scottish National Orchestra, Royal Marine Band of Scotland, Berlin Opera Academy, Celtic Connections orchestras and National Youth Orchestra of Scotland. In addition to horn, Isabella is an emerging conductor, having participated in conducting courses and competitions such as Semi-finalist of the BBCA Competition, George Hurst Conducting course, Glover-Edwards Conducting Course at Royal Academy, University of Miami Women’s Conducting Symposium, among others. Isabella is a dedicated community musician and educator, motivated by a profound desire for continuous learning and professional development. Her extensive experience includes roles such as Ambassador for the National Youth Orchestra of Scotland, mentor and emerging composer for the National Youth Pipe Band of Scotland, International Women’s Brass Conference mentee, and Benedetti Foundation Lead Ambassador.

    Currently, Isabella serves as the musical director of the Partickhill Community Choir and a brass tutor at the Africa Music School. She also collaborates with organizations such as the International Horn Society as a student advisor and manages social media for the British Horn Society. Isabella advocates for social change through music, aiming to raise awareness of its transformative impact on people and communities.

  • Eoghan McManus

    Eoghan is a fantastic fiddle player from Glasgow, with a vast experience of both the Irish and Scottish traditions. He created a beautiful piece for Pipe Band called Nothing but Remembrance which we intend to feature in our upcoming year of Glasgow.

    “Migration made me think of the highland clearances (1750-1860) which connects to bagpipe history as well. The highland people were evicted from their homes by landlords and forced to flee countries. I invested into the highland clearances and searched up songs on ‘Tobar an Daulchais’ and that’s where I came across ‘A Time Will Come, A Time Will Go’ (Nicholson, J 1988). Nicholson wrote this in response to people always inquiring into the story of the clearances and I felt touched by the poignant use of words. My title - ‘Nothing but Remembrance’ - was taken from his lyrics.”

  • Eilidh Macintyre

    Originally from Falkirk, Eilidh Macintyre is a Gaelic singer as well as playing Irish flute and whistle. After completing UHI’s Applied Music Course, Eilidh formed the band Madderam. Growing up with piping in the family, her musical tastes have always been influenced by the likes of Gordon Duncan and later, flute players such as Brian Finnegan and Michael McGoldrick.

    “Carry This With You was inspired by the journey taken by people to attend the annual tryst in Falkirk. The beginning represents the potentially tumultuous trip down from the highlands and islands, needing to carry on moving forward in any weather. The move into the second piece is when the weary travellers have arrived at Falkirk and are getting settled in, ready to trade their cattle and finally, the ending is indicative of people choosing to move off in new directions, maybe not with the people they came with but to new adventures.”

Emerging Composers 2022

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    Ben Muir

    With a varied musical background, including years of piping experience competing in the pipeband scene, Ben has developed a unique approach to composition. His compositions are influenced by his love of popular music, his experience as a songwriter and as a multi-instrumentalist.

  • James Bauld

    Highland born musician/composer James Bauld has arrived on the buzzing Glasgow folk scene with his self titled debut EP. He is currently in his third year at the UHI, studying flute/whistle on the applied music course and working on a nationwide Youth Music NextGen composition project along with his new social media series 'Food and Folk’

  • Lewis MacRae

    Lewis owes his self confessed obsession with pipe bands and snare drumming to his dad! A snare drummer with the NYPBS for over 5 years, he also plays with Uddingston Pipe Band under the leadership of Grant Cassidy. Although he likes to keep it quiet, Lewis received bagpipe lessons throughout his time in school and still occasionally picks up the pipes! Originally from Inverness, he is currently attending the University of Strathclyde studying Mechanical Engineering

  • Malin Lewis

    Malin Lewis is a musician, composer, instrument maker and musical director from the Scottish Highlands. They play a range of instruments including various bagpipes, Fiddle and Whistle.

    Malin performs regularly across the country with their trio, Malin Makes Music, which features Sally Simpson on fiddle and Luc McNally on Bouzouki. Their music draws inspiration from piping traditions all across Europe and features self-penned tunes as well as traditional melodies from Finland, Bulgaria and Galicia. Their sound has been described as ‘Beautiful’, ‘raw’ and ‘a breath of fresh air’.

  • Siobhan Dyson

    Composer, musician, film maker and creative, Siobhan Dyson is an all-round creative person who enjoys the thrills of making her own films, adding her own music and performing the music with the vast number of instruments she has taught herself. Finding passion through her time at The Royal Conservatoire of Scotland, Siobhan decided to create her own films to support her music. Having little experience prior to her first film 'Playing with myself' she decided to pursue her passions and create something unusual.

Emerging Composers 2020

  • Noah Scott

    Noah Scott is a multi-instrumentalist and composer who plays Scottish traditional music. He is greatly influenced by the music of his home, the Isle of Skye. Before starting traditional music, Noah spent many years learning classical music on the piano and the clarinet in Normandy, France where he was brought up. He also plays the fiddle and the pipes.

  • Ben Vardi

    Vardi is a producer / DJ & multi-instrumentalist. Drawing on a rich variety of influences & experiences he aims to make work that is innovative & nourishing. Growing up he used to play bagpipes in pipe bands but over time slowly moved away from this world into dance music & DJing. One of his focuses now is how to integrate his roots culture with electronic music.

  • Breanna Wilson

    Breanna Wilson is a Glasgow based fiddle player who grew up amongst the Irish traditional music scene in Glasgow. During her time at the RCS she has developed a love for American Bluegrass and Old-Time music as well as exploring some Scandinavian music whilst continuing to explore her Irish and Scottish roots.

  • Ellie McLaren

    Originally from Braemar, in the heart of the Cairngorms, Ellie has been playing the fiddle since she was 8 years old. Over the years, Ellie has composed various tunes for both fiddle and pipes, with her strongest passion being pipe music. Whilst she doesn’t play the bagpipes (yet!), she enjoys listening to and playing the repertoire and styles of the pipes, and is excited to put this into the Emerging Composers project.

  • Kim MacLennan

    Hailing from Blairbuie on the Coigach peninsula of Wester Ross, Kim is an accomplished accordion and bagpipe player with a background deeply rooted in both the pipe band and traditional music communities. After becoming the first female pipe major of the Ullapool and District Pipe Band at the age of just 15, Kim has continued to successfully compete in the pipe band scene ever since. She feels most at home while pushing the boundaries of trad music and melding her traditional roots with her contemporary style of playing.

Emerging Composers: Scotland's Stories (2020)

Based on 'Scotland's Stories' as a theme, in 2020 we commissioned five emerging artists aged 18-25 to respond to one of seven stories and create new repertoire for the NYPBS. 

Alongside guest mentors Mike Vass, Signy Jakobsdottir and Stephen Deazley, we supported each composer to create a new piece for Pipe Band in a concert setting. 

Due to disruption from the COVID-19 pandemic, the original performance of these pieces was postponed. However, the works will be showcased at this year's Piping Live! Festival in August 2022.